Sometimes an album is so good and makes its case so flawlessly that it spawns a mini-genre of its own and becomes shorthand for a prescribed set of values. The Velvet Underground's third and Miles Davis' Bitches Brew are two older records that spring to mind, and I'd toss in Spiderland as well. It's not a long list, but somewhere on it belongs Boards of Canada's Music Has the Right to Children. (Pitchfork)
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